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User’s Handbook for Version 6 – updated Oct. 2011 - 15
You may also choose a colour for the bars that will appear in the Global View (see the Main screen), and the
type(s) of notation you wish to use (slash, standard, or tab).
Tip: Once the instrument has been selected you won’t be able to change it for that particular track
(nor can you change the number of strings). You can however convert an instrument into another
instrument by use of Cut/Copy/Paste; and the notes get automatically transposed. It is also possible
to change the soundbank attributed to the track, thus associating any soundbank to any instrument
(outside of percussions).
Organizing Bars
In Guitar Pro, there will necessarily be at least one bar per track. Thus, any given bar “B” will bear the same
tone and signature on track T1, T2, etc. Similarly, adding a repeat sign (to open or close a section) will
necessarily affect every track at once.
This guarantees the musical consistency of the score, and a satisfactory result when you play it.
On the other hand, you will have to precisely define each track. You won’t be able to create a hundred-bar
guitar track, for instance, and a percussion track with only one bar playing in loops. You will have to
reproduce the percussion bar on the 100 bars, either by using Copy and Paste, or by resorting to repeat
symbols. (See Adding symbols .)
Just as well, using the menu: Bar > Insert Bar / Delete Bar will cause a bar to be added or deleted on
every track.
Barlines
Guitar Pro automatically manages barlines.
When you move the edition cursor to the right, it will automatically move on to the next bar if the current
bar is complete according to the time signature chosen (for example 4 beats for a 4/4 time signature; See
Understanding Notation ). In case the bar isn’t complete yet, Guitar Pro creates a new beat whose duration is
the same as that of the preceding beat.
Whenever a bar is incomplete or too long, Guitar Pro displays it in red, unless of course it is the bar you are
currently editing.
The Status Bar shows you the actual duration of the current bar as well as its theoretical duration. Whenever
you move your cursor over that part of the Status Bar a balloon will let you know which voice is incomplete.
Bar design and setting
In Page or Parchment mode, it is possible to manually manage the number of bars per line. To do so, you
must use the Bar > Force Line Break and Bar > Prevent Line Break menus.
The Bar > System layout lets you choose the default number of bars per system. It resets the line-breaks.
The Start from current system option tells the program how to apply the changes. If the option is
checked the layout will be applied only to the bars that follow the current system. Otherwise the layout will
be applied to the whole document.
The Design mode lets you change the sizes of bars inside a system, as well as the number of bars for
each system.
Line-break functions only affect the active track, or the multitrack view. It is therefore possible to create a
different arrangement of bars for each track, and another for the multitrack view.
To justify the last bar of the score to the right, you may simply add a line-break to that last bar.
Adding Notes to the Score
You can write your notes either by way of tablature or of standard notation. (The slash” notation is
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